Display courtesy of Ian White, Doreen Burgess and G and K Malin |
Once, years ago, I was approached by another mother at my
son’s school.
‘You should volunteer for the kids’ activity next week,’ she
said.
‘What activity,’ I
asked.
‘They’re going to be doing ceramics.’
‘Ceramics?’
‘Yes. Didn’t you say that you did pottery?’
Well. Pottery. Poetry.
They do sound similar.
Ever since then I’ve liked to think I’ve been busy with all
manner of crockery, out in my potter’s shed in which a mess of words gets
thrown at a wheel then grappled with and smoothed into a serviceable
object – now a rustic jug, now a knick-knacks bowl, now an earth-hued goblet ringed with blue. And as the objects
come off the production line, they are placed carefully on shelves according to
type, and length of creation.
Occasionally, people passing by press a curious nose to the
window, others enter and engage in polite conversation, yet others handle the
goods with long consideration and nearly make a purchase – just like last week
when my collection My Shrink is Pregnant came joint second in the Pighog Pamphlet Competition.
My
Shrink, so nearly off to a new home, has gone back on the display
case, but much closer to the door.
And I keep at it, am back at the wheel, hands dirty from
shaping wet clay, ears cocked for a shuffle of feet of a prospective customer at the entrance way.
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